Blogs
Fri Aug 8, 1:11 PM
Fri Aug 8, 12:47 PM
Fri Aug 8, 1:45 PM
Fri Aug 8, 8:00 AM
Fri Aug 8, 11:30 AM
Fri Aug 8, 9:12 AM
Fri Aug 8, 8:49 AM
Wed Aug 6, 9:52 AM
Recent Articles
Recent Articles by Chris Milbourn
Death of a Salesman
(Self-released)
Ces Philes Vol. 1 Codename: Iron Giant
(Commercial Entertainment Syndicate)
We've Only Just Begun
(Tactic Traxx)
No related articles found
National Features >
Village Voice
How Andrew Cuomo gave birth to the subprime-mortgage crisis that
threatens to bring down Fannie Mae and Freddie Mac.
By Wayne Barrett
Houston Press
Inside the world of "stash houses," where smugglers use torture to extort illegal immigrants.
By Chris Vogel
Phoenix New Times
Here's the John McCain some Arizonans know--and loathe.
By Amy Silverman
The Sauce
Published on February 07, 2008
Miles Bonny, producer, DJ and cultural philosopher, has a theory as to why the mainstream dinner crowd at the Spitfire Grill feels so comfortable with the atmosphere that his records induce. "Throughout history, the current black artist has often been looked at by older white people as being scary or too foreign, and they stay away from it," he says. "Progressive musical trends often take time to be accepted by mainstream America." Every Friday night at the Spitfire, with help from fellow hip-hop scenester and soul lover Beatbroker, Bonny draws from his extensive old-school collection of soul and funk records and takes patrons back to a time when many of them weren't even around. One thing is clear: Whether he's playing Miles Davis or UGK, Bonny's appreciation for classic sounds will hold steady as long as he's alive.